Old Tree 18x24 Oil on Masonite
This is an old tree down the street from our house. I don't know anything about trees but like it's shape and that it's (I guess) so old. The land belonged to a family for several generations and was used as pastures and raising hay. Now it's in the beginnings of being a subdivision. That's progress - at least for us!
Once again my digital camera (or the software) is having a tantrum and won't represent the colors in the painting. That's my excuse and I'm sticking to it. :-)
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Thursday, August 27, 2009
Old Tree
Labels:photos
country,
farms,
landscape,
oil paintings,
original art
Sunday, August 16, 2009
Da Nang Marine 1965
Da Nang Marine 1965 24x30 Oil on Masonite
I needed to make some paintings from 1960's Vietnam and this is my third. The inspiration is from a photo I saw somewhere online (where else?) and I couldn't get the image out of my mind.
I tried to have the Marine's expression more tired or weary than sad or depressed. But I guess there wasn't a difference, really, in 1965 "in country".
This fellow has probably seen a lot and been through much that most people can't imagine. Maybe, though, he's pondering the prospect of going home. Going home was sometimes tough; leaving your buddies and/or being exposed to some of that antiwar "stuff" back home.
People back home didn't want (or didn't know how) to talk a bout "the war" so we learned to not talk a bout it. He's in his sixties now - if he came home alive. He probably doesn't talk about those years of his life except in bits and pieces with others that were there and a lot of that communication with "brothers" isn't vocal.
I needed to make some paintings from 1960's Vietnam and this is my third. The inspiration is from a photo I saw somewhere online (where else?) and I couldn't get the image out of my mind.
I tried to have the Marine's expression more tired or weary than sad or depressed. But I guess there wasn't a difference, really, in 1965 "in country".
This fellow has probably seen a lot and been through much that most people can't imagine. Maybe, though, he's pondering the prospect of going home. Going home was sometimes tough; leaving your buddies and/or being exposed to some of that antiwar "stuff" back home.
People back home didn't want (or didn't know how) to talk a bout "the war" so we learned to not talk a bout it. He's in his sixties now - if he came home alive. He probably doesn't talk about those years of his life except in bits and pieces with others that were there and a lot of that communication with "brothers" isn't vocal.
Labels:photos
combat,
marine,
oil paintings,
original art,
Vietnam
White Clover
White Clover 24x24 Oil on Masonite
I'm still fighting the good fight with my digital camera - glare, focus (or NOT focused) and etc. This is the best photo of the painting from MANY.
I've seen clover most of my life but never really LOOKED at it until one day when I was walking in our neighborhood with my dogs. The dogs were busy being dogs and I picked a clover "flower" and really looked at it and was surprised at the colors I saw.
Soooooo, I took some photos for reference and this is what happened! I don't know the proper name for this flower except "clover." I'm not a flower person so "clover" is a good as it's going to get.
Labels:photos
clover,
country,
landscape,
oil paintings,
original art
Monday, August 10, 2009
Marmisson - A Home In France
Marmisson - A Home In France 20x30 Oil on canvas
This is a taken from a photo from an online friend's (another blogger) blog page. I used it without permission, hoping that they won't mind (too much)! :-) I thought it was a nice painting subject for me. I don't often do flowers, gardens and such but the photograph just seemed to work for me.
The owner had blocked the door with brick work so I took a little artistic license and "installed" my door.
I don't paint on canvas very much. I prefer Masonite panels. BUT I had stretched this canvas (and several others) some time ago so I thought that I would try painting on canvas. It took some getting used to the "bounce" and the roughness of the canvas. I don't know which I prefer - I guess it depends on my mood at the time.
I'm just about done with making small paintings. Small being smaller than 9x12. I'm going to stick with 16x20 and larger for "premanent" work using the "small" panels for what I call "studies" or just a practice piece. I had some small stuff, hung it on a wall and from a few feet away I couldn't see what the painting was. What's the point then? Except that a small piece can be made in an houror two. That's my opinion and I'm sticking to it! :-)
This is a taken from a photo from an online friend's (another blogger) blog page. I used it without permission, hoping that they won't mind (too much)! :-) I thought it was a nice painting subject for me. I don't often do flowers, gardens and such but the photograph just seemed to work for me.
The owner had blocked the door with brick work so I took a little artistic license and "installed" my door.
I don't paint on canvas very much. I prefer Masonite panels. BUT I had stretched this canvas (and several others) some time ago so I thought that I would try painting on canvas. It took some getting used to the "bounce" and the roughness of the canvas. I don't know which I prefer - I guess it depends on my mood at the time.
I'm just about done with making small paintings. Small being smaller than 9x12. I'm going to stick with 16x20 and larger for "premanent" work using the "small" panels for what I call "studies" or just a practice piece. I had some small stuff, hung it on a wall and from a few feet away I couldn't see what the painting was. What's the point then? Except that a small piece can be made in an houror two. That's my opinion and I'm sticking to it! :-)
Labels:photos
family,
France,
oil paintings,
original art
Monday, August 3, 2009
Sidewalk Espresso
Sidewalk Espresso 18x24 Oil on Masonite
This is a composite from three or four photos that I found online plus a couple of photos that I've taken myself. I took many liberties and moved things around, added stuff here and took stuff away there.
Why does the dude on the left have two cups in front of him? Is it because the waiter is trying to make a move on the lady in red? Maybe the innocent waiter has the lady's check and is about to put it on the table. AND why is the dude wearing sunglasses inside? hmmmm Might be that he's sly and giving the lady in the jeans outfit a good long look.
The lady in the jeans outfit sat near the dude, but not too close. She probably doesn't trust somebody wearing sunglasses that has two cups of coffee on his table. Little does she know that he's more than a little burned up that the waiter hasn't been around for a while and wouldn't be very good company right now.
What ARE the specials today?
This is a composite from three or four photos that I found online plus a couple of photos that I've taken myself. I took many liberties and moved things around, added stuff here and took stuff away there.
Why does the dude on the left have two cups in front of him? Is it because the waiter is trying to make a move on the lady in red? Maybe the innocent waiter has the lady's check and is about to put it on the table. AND why is the dude wearing sunglasses inside? hmmmm Might be that he's sly and giving the lady in the jeans outfit a good long look.
The lady in the jeans outfit sat near the dude, but not too close. She probably doesn't trust somebody wearing sunglasses that has two cups of coffee on his table. Little does she know that he's more than a little burned up that the waiter hasn't been around for a while and wouldn't be very good company right now.
What ARE the specials today?
Labels:photos
espresso,
figurative,
latte,
men,
oil paintings,
original art,
people,
women
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